This is shown in Act IV, when we see poor Tituba say to her jailer: Such practices were spiritual and descended from her African roots. Before being brought to Massachusetts, Tituba never saw singing, dancing, and spell-casting as evil. The fact that she was convicted at all for her practices is actually inherently prejudiced. The ambiguity of her fate actually emphasizes that whether or not these women are in fact witches is totallybeside the point.Īnd we have to say that, although there is nothing in the play that directly comments on it, racism undoubtedly plays a huge part in her fate. Tituba admits her supposed sin, but we never really find out what happens to her. Tituba, the Reverend Parris’s slave, is a woman from Barbados who practices what the Puritans view as “black magic.” Of course, she mainly does this because the conniving Abigail manipulates her into doing it. (Click the character infographic to download.)
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